About the Book
Focusing in on the parts to compose the photo is influenced by my knowledge and love of modern abstract art. My compositions are influenced by Tapies, Rothko, Diebenkorn or Johns. There are infinite paintings in one facade or rusting wall and it is my job to find one or two to reveal my way of seeing.
Features & Details
- Primary Category: Arts & Photography Books
- Additional Categories Architecture
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Project Option: Large Format Landscape, 13×11 in, 33×28 cm
# of Pages: 112 - Publish Date: Jun 13, 2021
- Language English
- Keywords abstract, architecture, color, Seeing
About the Creator
Jonathan Pearlman began taking pictures with a Kodak Instamatic 124 with flashcubes in 1967. A serious attention to photography began with the purchase of a Canon FTB single-lens reflex in 1974. He soon set up a darkroom at home and learned the in's and out's of developer, stopbath and fixer. Wandering through seedy areas of New York City, he tried to emulate the black and white photos of David Plowden in his book, The Hand of Man on America. A stint as the photo editor of his college newspaper led to a three-year engagement as an architectural photographer for Margaret Henderson Floyd, a leading New England historian. While studying architecture, he made a modest living photographing buildings in Boston, Austin and in Italy. Digital photography has made taking pictures a commodity, but Jonathan still looks for the composition and detail that makes photography worthwhile and satisfying. He is a practicing architect in San Francisco, California.