After the Storms
Work from 2013 to 2023
by Herlinde Spahr
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About the Book
The book documents the complete series of AFTER THE STORMS, representing all 48 panels, preserving the full arc from the poison hemlock suite to the triumphant closing series of the lotus flower. The book marks Spahr’s transition from stone lithography to a new and untested medium for artwork, panels of Formica, with a grain and hardness mimicking the litho stone. The surface allows for more monumental work, achieving a fusion of printmaking techniques and painting. Exquisite drawings combine with rubbed, scarred and incised surfaces in oils, ink and graphite. AFTER THE STORMS is celebratory, work completed after the artist’s experiences with mania finally went into remission. Following the same format of her other three books, the artwork is followed by a generous selection of artist’s notes that chronicle the excitement (and frustration) of working in a new and uncommon medium. They also highlight the climate of mind that gave rise to the images.
Spahr has taken part in more than one hundred exhibitions, here and abroad. Her work is widely represented in public collections. She is featured in The Best of Printmaking. An International Collection, and in 2021, the Monterey Museum of Art featured several cycles of work included in this book in a solo exhibition, entitled The Precipice Within. David Acton in his book 60 Years of American Printmaking, has summarized Spahr’s work as follows: "Technical finesse, an open attitude to the creative process, and deeply personal subject matter are typical of the works of Herlinde Spahr." Published by Lithium Press, 2023
Features & Details
- Primary Category: Arts & Photography Books
- Additional Categories Fine Art
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Project Option: Standard Portrait, 8×10 in, 20×25 cm
# of Pages: 46 -
Isbn
- Softcover: 9798881365707
- Publish Date: Jan 28, 2024
- Language English
- Keywords artist book, art notes, art on Formica, fine art
About the Creator
Herlinde Spahr was born in Antwerp, Belgium and came to California in 1977 as a graduate student in Comparative Literature at UC Berkeley. Parallel with her studies, she pursued her interests in the visual arts, especially stone lithography. At the completion of her studies, she had become a master printer and exhibiting artist which led her to to forgo an academic career and set up her studio, Lithium Press. With the lithographic stones becoming too heavy to handle, Spahr began executing her images on Formica, durable panels with a grain and hardness similar to limestone, thereby fusing printmaking and painting techniques. Spahr's work is included in 60 Years of American Prints, 1947-2007 and in The Best of Printmaking. An International Collection, 1997. The Monterey Museum of Art featured her large format work in a one person exhibition in 2021, entitled The Precipice Within.