Visible Poetry I
The First Fifteen Months
by Karin Cope
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About the Book
(from jacket copy)
"[E]verything and anything suddenly seemed material for poetry—or not material, seemed to be poetry"
Elisabeth Bishop to Robert Lowell
When I set out to keep a blog I didn’t really know what I would be doing. I imagined a blog as a log of sorts, an account of activities more public than a diary, but not yet as formal and severed from my hand as a printed book. It would contain journeys, but also, itself, be a journey of sorts—I’d discover what it was by doing it.
Visible Poetry aimed to extend the log form to an expanded notion of poetry—which, it turns out, isn’t really a very large stretch.
For lyric emerges from song, from the rhythms of breath and the pace of walking. It’s a genre of discreet, carefully rendered observations, often punctual, sometimes diaristic. Photography too may have this quality.
Why now, a book?
Because sometimes you want to hold the words and images in your hands. Because a book lets you take stock of a distance traveled; quite literally, you can weigh it; it has heft, dimension, and the turning of the pages mimics the repetitious unfolding of thought across time. And because you can read a book on the beach and not worry that sand and water will ruin your connection with the world. On the contrary, they are the world!
"[E]verything and anything suddenly seemed material for poetry—or not material, seemed to be poetry"
Elisabeth Bishop to Robert Lowell
When I set out to keep a blog I didn’t really know what I would be doing. I imagined a blog as a log of sorts, an account of activities more public than a diary, but not yet as formal and severed from my hand as a printed book. It would contain journeys, but also, itself, be a journey of sorts—I’d discover what it was by doing it.
Visible Poetry aimed to extend the log form to an expanded notion of poetry—which, it turns out, isn’t really a very large stretch.
For lyric emerges from song, from the rhythms of breath and the pace of walking. It’s a genre of discreet, carefully rendered observations, often punctual, sometimes diaristic. Photography too may have this quality.
Why now, a book?
Because sometimes you want to hold the words and images in your hands. Because a book lets you take stock of a distance traveled; quite literally, you can weigh it; it has heft, dimension, and the turning of the pages mimics the repetitious unfolding of thought across time. And because you can read a book on the beach and not worry that sand and water will ruin your connection with the world. On the contrary, they are the world!
Features & Details
- Primary Category: Arts & Photography Books
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Project Option: Small Square, 7×7 in, 18×18 cm
# of Pages: 200 - Publish Date: Jul 18, 2010
- Keywords Karin Cope, Visible Poetry, blog book, Sea of Cortez, Arctic travel photography, Mexico, photography, sailing
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